Our History
It all started in 1930 when Mrs. Ruth Sanborn and two fellow music teachers worried that the people of Concord, and children especially, knocked off their pins by the Great Depression, would never have the chance to hear great live music. Meanwhile, in New York, Columbia Artists Management Inc. (CAMI) worried that the professional artists it represented would never have the chance to earn a living as performers. In one of the rare instances where distant planets align, CAMI and the Ruth Sandborns of many small communities banded together and created a National Community Concert Association. The artists would tour small communities and be able to earn a living, and the small communities would receive the classical concert opportunities they craved. Mrs. Sanborn's first season offered membership/subscriptions for $3.00 with accompanying children admitted free.
Since 1931, the Concord Community Concert Association has brought a varied and entertaining series to City Auditorium. The series began when a representative from Columbia Artists Management, at that time America’s major artist management organization, visited a small group of music lovers in Concord to explain a new concept they were introducing to the performing arts world. Up to that time, touring artists traveled from one large city to another leaving a void in the entertainment scene of smaller cities and towns.
A new plan was introduced. Local groups were urged to form associations which would introduce the "pre-paid" subscription, a plan to bring well-known, successful artists as well as rising newcomers to communities through a system of "block booking". Rather than touring only from one large city to another, artists would also contract with Community Concert Associations in smaller venues located en route. Thus, artists who were scheduled to travel from New York to Boston and perhaps on to Cleveland would also perform in smaller towns such as Concord and Nashua in New Hampshire while traveling between the large metropolitan areas.
To ensure financial stability, associations were obligated to carry out membership drives prior to each season, not relying upon sales of tickets at the box office. Through its all-volunteer organization operating within its own constitution and by-laws, Concord Community Concert Association has offered a series of at least three concerts yearly without interruption throughout the past 95 years.
At some time in the 80's Community Concerts, Inc. became a separate division of Columbia Artists Management. The division subsequently became Community Concerts, LLC, a privately owned entity which unfortunately encountered financial difficulties. Next, the Concord Community Concert Association became affiliated with a performing arts service organization, “Live on Stage, LLC”, based in Nashville, Tennessee. The concept, goals and services remained the same. Each local Association is assigned a representative to assist in the process of choosing and booking touring artists for the yearly series. Finally, the Concord Community Concert Association became its own independent nonprofit, outliving all its sister organizations in the state.
Hundreds of volunteers dedicated to the original goals of the organization have made its survival possible. Looking toward building audiences of the future, the Association offers free tickets to area students with the help of generous grants. Born in the aftermath of the Great Depression of 1929, the Association has survived throughout the past 94 years, despite increased competition from television and increasing numbers of area presenters. Currently, the Concord Community Concert Association is preparing to enter its 95th anniversary 2025-2026 season.
2025 - 2026 Shows
Friday, September 12, 2025, 7:30pm – ACRONYM BAROQUE ENSEMBLE
An "outstanding young early-music string ensemble" (The New Yorker) presents a feast of musical delights in its
CCCA debut. ACRONYM’s members perform on strings, violas da gamba, theorbo, and keyboards, bringing "gutsy,
fresh explorations" (Early Music America) to these rare treasures.
Acronymensemble.com
Details and Tickets
Friday, October 24, 2025, 7:30pm – SPANISH BRASS
With a 35-year trajectory in the world of chamber music, Spanish Brass is one of the most dynamic and
established groups on the international musical stage. In 2017 Spanish Brass received First Prize
in the Bankia Awards for Musical Talent of the Comunitat de Valencia, and in 2019 they received the
Espai Ter de Música Award. They were also honored with five Carles Santos Awards for their CDs XXX,
Mira si hem corregut terres… (2019), Les Aventures de Monsieur Jules (2020), Spanish Brass (a) Live
(2021) and Resurrección.
Spanishbrass.com
Details and Tickets
Saturday, January 31, 2026, 2:00pm—BEO STRING QUARTET
The eclectic and highly polished Beo String Quartet, founded in 2015, has created a niche for itself as a daring,
genre-defying ensemble. Rigorously trained in the classical tradition, violinists Jason Neukom and Andrew Giordano,
violist Sean Neukom, and cellist Ryan Ash also know their way around contemporary expression, including the use
of electronics, live sound processing, and spatial audio manipulation. Their performances of Bach, Mozart, Beethoven,
Mendelssohn, or Shostakovich have been compared to those of the best among 21st century international string quartets.
Beostringquartet.com
Details and Tickets
Saturday, March 7, 2026, 7:30pm – LINDSAY AND JASON
This powerhouse duo takes the crowd on a whirlwind journey through the hits of the centuries, expressing a
variety of musical styles from classical to jazz to the popular hits of today. Trained at the world’s top
conservatories, Lindsay Deutsch and Jason Stoll showcase their dazzling technique as they perform masterpieces
by the rock stars of yesteryear such as Bach and Beethoven; and draw parallels to the entertainers that audiences
grew up with including Frank Sinatra, Elton John, and Billy Joel. Spiced with humor and laughs and a bit of
history, audiences everywhere rave about these unique artists and their diverse and entertaining programming.
Jeanschreibermanagement.com/lindsayandjason
Details and Tickets
Saturday, April 11, 2026, 7:30pm – HERE COME THE JUDDS
HERE COME THE JUDDS is an authentic stylistic and musical tribute to one of the top vocal duos of all time, the Judds.
The tribute features two of Nashville’s most renowned artists, Victoria Venier and Liz Byler Shea. Victoria has performed
on stage with Loretta Lynn, Joe Diffie, and Brenda Lee and has appeared as a solo artist on the world-famous Grand Ole Opry.
Liz has worked on stage with Lee Greenwood, toured with Martina McBride and performed as a solo artist on television’s
Star Search, where she got a near perfect score from the judges, one of which was none other than Naomi Judd, whom she
got a chance to spend time with and whom she now counts as one of her musical influences.
HereCometheJuddsaTribute.com
Details and Tickets